Ams doctoral dissertations in musicology
Through this fellowship, graduate students design their own version of Reasoning and Writing in the College WRT , a theme-based first-year writing course. All instructors accepted into the program will teach one section of WRT in fall and the same course in spring, participate in our training program, and attend the program orientation at the end of August. The minimum commitment for Eastman School applicants is two years; however, successful performance is required for reappointment after the first year.
Compensation packages vary depending on whether graduate students reside in the College or in the Warner School, as well as on individual funding situations. Available Fall Spring The Raymond N. Ball Dissertation Year Fellowship similarly funds students who are completing their dissertations. The University of Rochester awards this fellowship to several outstanding graduate students in the humanities including music , economics, or business administration fields. The Elsa T.
Information about the annual competition for this fellowship is available in the musicology office. This is a competitive application process that includes funding in three categories: faculty, individual students, and chamber groups. Deadlines for proposals to be reviewed are October 15, February 1, and April 1 of each year. ACLS offers fellowship and grant programs that promote the full spectrum of humanities and humanistic social sciences research and support scholars at the advanced graduate student level through all stages of the academic career. Comprehensive information and eligibility criteria for all programs can be found at www.
Application deadlines vary by program. The American Council of Learned Societies is the leading private institution supporting scholars in the humanities. Grants are considered suitable for post-graduate scholars, professionals, and candidates in the arts to carry out research or study visits of one to three months duration. Fellowships are intended to support a year-long stay. Priority is given to candidates at the graduate level for dissertation-related study or research.
Online application and further ASF Award information available online: www. The ASF also awards fellowships and grants to Scandinavians.
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Intended to increase the presence of minority scholars and teachers in musicology, the Howard Mayer Brown Fellowship supports one year of graduate work for a student at a U. Preference will normally be given to candidates who are citizens or permanent residents of a North American country. It supports outstanding Ph. Chateaubriand fellows are selected through a merit-based competition, through a collaborative process involving expert evaluators in both countries.
A small group of American musicologists, passionate about their own research and devoted to the expansion of the field, formed the nexus of the movement which would transform the role of music study in American higher education for later generations of scholars. In the early decades of the twentieth century, American musicologists depended on European resources, both financial and institutional, for the support of their scholarship.
The Internationale Musik-Gesellschaft served as the international society of the field and produced its primary scholarly journals. The U. When World War One brought the dissolution of the European IMG, however, its American offspring could not survive independently, and all formal organization of musicologists temporarily died out. The music community felt a growing need for an organization devoted specifically to musicalogical research.
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By the early s musicology had gained a place in American academics; universities began to offer faculty positions in musicology and to institute programs of musicological training for their students. The scholarly world was ready for the revival of an American society of musicologists. The New York Musicological Society has flourished during the past five years as a small group interested chiefly in the systematic approach to Musicology.
At a meeting of the executive committee it was unanimously decided: 1 that a broadening of scope to include all subjects of musicological interest is imperative; 2 that to accomplish this it will be necessary to reorganize on a national scale. The group approached Otto Kinkeldey to serve as their first president, and named the organization the American Musicological Society it was briefly an Association rather than a Society. As the second World War sapped the European intellectual sphere of its financial resources and intellectual energies, and as some of the finest European scholars fled to the United States; the time was ripe for American musicologists to step into a leadership role worldwide.
Indeed, the American group took up the banner with grace. The first such gathering of international scholars of music in America, this congress defined the central role the AMS would play in the decades ahead for musicology worldwide. By all accounts, the congress was a tremendous success, and in fact drew more attention in the national press than musicology conferences today.
Not only did the congress provide the AMS with international recognition as a leading organization in the field of music scholarship, it also established the validity of the study of New World musical traditions. Over the next decade the Society grew steadily. During the war years, this growth was in part due to the stream of European musicologists who made the United States their home and established themselves in American universities.
This wave of immigrations invigorated the scholarly community in the United States and broadened the scope of American resources and scholarship. Some of these immigrants were among the most prominent members of the AMS, both in their personal scholarship and in the scope of their vision for the future of musicology as a profession. Edward Lowinsky involved himself with almost every aspect of the society, most significantly the Josquin Festival, but also including the establishment of various awards and the planning of the Kennedy Center Conferences.
Manfred Bukofzer was a longtime board member, and his legacy lives on in AMS publications which continue to be funded by his bequest.
The Untapped Doctoral Majority of Potential Public Musicologists
Dragan Plamenac was also a board member and spent many years working on an AMS publication project, the Ockeghem Volumes. Despite the rapid influx of immigrants, the growth of the Society was limited by the careful restriction of the membership and hence the lack of substantial income from dues.
The founders of the AMS had initially imagined themselves as a very select group of scholars who had proven themselves through their publications and their reputation in the field. The rather rigorous membership process required perspective members to be nominated by a current member whose nomination was then seconded and then subjected to a vote by the Board. One negative vote was enough to keep a nominee out of membership. By , having realized the limitations this membership policy imposed, the Board established the category of Associate member for those who shared the interests of the society, but did not qualify professionally for membership.
Along with this new category of members, the AMS also began a campaign to recruit new members. By the membership had grown to , and in the distinction between active and associate members was abolished. By the membership had reached more than 3, By the total number of chapters had grown to eight, including New England, Philadelphia, Southern California, and Northwestern Chapters. One of the most decisive steps for the AMS in the effort to gain legitimacy was the founding of the Journal in Abstracts of papers read at Chapters were published in the Bulletin.
Other news and information was published in the Newsletter, begun in In , George Dickinson proposed that the Society establish a Journal to supersede these various publications, and by the Journal of the American Musicological Society had been founded. Oliver Strunk served as its first editor. Though the Journal editors were not always effective administrators, they were almost always among the most prominent scholars in the field. The job of editor was both a great honor and an administrative nightmare.
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Though the Journal brought the Society an influx of institutional memberships, and increased its legitimacy as a scholarly organization, the publication was very expensive and continually plagued with deadline problems. In order to finance the publication the Society was forced to more than double the membership dues.
The Executive Board constantly struggled with editors, authors, and the William Byrd Press, who published the Journal, to make sure the Journal came out on time. In fact, the Journal quickly gained a reputation for being late sometimes up to a year behind schedule and was a source of embarrassment to some officers.